“Every person has the power to change their fate if they are brave enough to fight for what they desire more than anything.”
Caraval by Stephanie Garber is another title included in my district's "Battle of the Books" competition being held between the high schools. It's the 4th book I've read out of the 6 selected, and I can see why it was chosen. The very "Fantasy" feel of the title is in pretty good contrast to the two realistic fiction choices, the mysteries, and the science-fiction title. It also features a female protagonist, which keeps the balance a bit between the 6 titles (students ans staff got to nominate titles, then a committee selected the final titles. They tried to get a good mix, which I think they did. Not bad for our first year doing this).
The book was compared a bit to The Night Circus, and while I get where that comparison is coming from....no. I was late to reading The Night Circus, and like many others, I fell in love with the world building and depth of the story. Caraval, in short, lacks that element.
Essentially, the Caraval in the novel is an event held yearly by a mysterious character, Legend. Each year he invites people from around the world to participate in the game, which is full of magic and deception. Scarlett and her sister, Tella, live with their abusive father and have written to Legend for years in hopes they could participate. It is only in the weeks before Scarlett is set to be married to a man she has never met that Legend responds with tickets. Recruiting the help of a sailor, Julian, the sisters set off the mystical island where Caraval takes place.
And that is where the story lost me. The idea of the story (the plot) is intriguing and could be so interesting, much like that of The Night Circus. But there is no world building. None. The world sounds wonderful, but it's never developed. Things are mentioned and then ignored and I'm left wondering why I'm supposed to care.
The writing is also...so very heavy. There are metaphors and similes and flowery imagery on every page and while I can like that kind of writing, it has to make sense. There is so much telling and not enough showing. Scarlett feels in colors, and would compare talking to some to a color. The phrasing was awkward and off-putting. When I would start to fall into the story, I'd be yanked right back out because some awkward comparison would ruin it for me, like, "He tasted like midnight and wind." I have no idea what that means. What is that?
Now, I say all this while also telling you that I kept reading because I did want to know what happened. The plot had a number of twists and turns that made it pretty compelling, enough so that I could ignore the awkward language. However, there were some things that were never fully explained and some plot holes that were never filled in. I also felt like the characters needed a bit more humanity to them...at some points...I just didn't care what happened to them.
Wow, this is sounding much more negative than I intended. There is a sequel and while it's not a book I would buy for myself, if it ends up in our media center, I might check it out. How's that for a review?
After reading this, I did speak to our media specialist, and she felt much the same way. Apparently the kids are eating it up, and all the other copies (besides the one I had checked out) were in the hands of kids. None of my kids have picked it up (they're inhaling the John Green title and Winger by Andrew Smith-which I nominated and pushed for), but if they do, I'll be curious to see how they feel about it.
Has anyone else read this? Thoughts?
“Whatever you've heard about Caraval, it doesn't compare to the reality. It's more than just a game or performance. It's the closest you'll ever find yourself magic in this world.”